How does your current artistic practice relate to your musical work, is it an extension, a counter-reaction, or something entirely new?
It’s one ecosystem, not a separate branch, but a symbiotic whole. My music is sound design, rhythm, emotion; my visual art translates those into space, image, and technology. The same themes that live in my tracks, futurism, humanity versus machine, emotion in the digital age, resurface in my art, but often in a more physical or abstract form: digital installations, NFTs, objects, immersive environments. So yes, it’s an extension, but it also breathes on its own outside the frame of music.

What do you want people to experience or take away from your work?
Whether it’s through music or visual art, I want people to feel like they’re traveling beyond familiar borders, to step outside their daily patterns and be moved by something unexpected, futuristic, emotional. I hope they ask themselves: What does it mean to be human in a technological future? What does nostalgia feel like in a hyper-digital world? Where does freedom exist in an algorithmic reality?

Ultimately, I want my work to spark something, a sense of wonder, a question, a personal connection to creativity. Many of my pieces are also deeply personal, tied to childhood memories or my life on the road.

How do you approach ideas like control, humanity, progress, and ethics?
Control, and letting go of it, are central to my work. I believe progress only makes sense if we keep our humanity: empathy, storytelling, vulnerability. Ethics isn’t a side topic; it’s at the core. Who builds the tech? For whom? What do we do with it? My work aims to make those tensions visible. Humanity, to me, means asking not only what’s possible but what’s meaningful.

Which artists, thinkers, or tech pioneers have influenced your thinking?
My inspirations always sit at the crossroads of emotion and innovation. From a young age I was fascinated by storytellers who built complete worlds out of sound and image, filmmakers like George Lucas, Christopher Nolan, and Stanley Kubrick. They taught me that the future can be both mechanical and human.

In visual art I’m drawn to creators who blur boundaries between art, design, and technology, Hajime Sorayama’s chrome futurism, Zaha Hadid’s organic architecture, Refik Anadol’s AI dreamscapes. Artists like Virgil Abloh, Beeple, and Yayoi Kusama inspired me to think beyond traditional forms, to create experiences that stretch across dimensions, from gallery walls to the metaverse.

Musically, my universe is built on emotion, geometry, and motion, the pioneers Jean-Michel Jarre, Vangelis, Kraftwerk, Daft Punk, Hans Zimmer shaped my sense of sound as architecture for the soul.

In everything I create, sound, image, installation, I try to build bridges between past and future, human and machine, analog and digital. My art is a reflection of that endless journey: nostalgic, cinematic, and always in motion.